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Fela Kuti Fela is a man of contradictions. That's what makes him so intriguing. People who love him will accept his flaws. His songs are usually 20 minutes or more and are sung in a dense Pidgin English that is almost impossible to understand. His music is influenced primarily by Christian hymns and classical music. He also incorporates jazz, Yoruba, and highlife with guitars and horns. He was a musician Fela Kuti embodied that music can be a tool to transform the world. He made use of his music to push for changes in the political and social spheres and his influence is evident in the world of in the present. Afrobeat is a form of music that combines African and Western influences. Its roots are in West-African music as well as funk. However, it has evolved into a brand new genre. His political activism was fierce and he took action without fear. He made use of his music to protest against corruption by the government and human rights violations. Songs like “Zombie” and “Coffin for the Head of State” were bold critiques of the Nigerian regime. He also referred to Kalakuta as a platform to connect with like-minded individuals and to encourage political activism. The play features a large portrait of his mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and pioneer of the feminist movement. Shantel Cribbs portrays her and she does a fantastic job of conveying her importance in Fela's life. The play also highlights on her political activism. Despite her declining health she was unable to get tested for AIDS and instead chose traditional medicine. He was a singer The Fela Ransome Kuti was a complex man who employed his music as a tool for political change. He is credited with being the creator of afrobeat, an energetic mix of funk, dirty and traditional African rhythms. He was also a fervent critic of Nigeria's political and religious leaders. His mother was an anti-colonial suffragist and it's not unusual that he has a passion for social commentary and politics. His parents wanted him to become an ophthalmologist, but he had different plans. While he started in a more apolitical, highlife vein, a trip to America could alter his perspective forever. Exposure to Black political movements and leaders like Malcolm X and Eldridge Cleaver had a profound effect on his music. He embraced an African-centric philosophy that would influence and guide his later work. He was a writer While in the United States Fela was introduced to Black Power activists such as Stokely Carmichael and Malcolm X. The experience inspired him to create a political movement called the Movement of the People, and to write songs that reflected his views about black activism and political consciousness. His philosophy was expressed publicly through yabis, a form of public speaking that he called “freedom expression”. He also began to establish strict moral codes for his band, including refusing to take medication from Western-trained doctors. Fela returned to Nigeria and began to build his own club in Ikeja. The snares of military and police officials were almost daily. Mosholashi-Idi-Oro's hangers-on repopulated the area surrounding the club with hard drugs, particularly 'bana' and 'yamuna' (heroin). But despite this, Fela maintained an uncompromising integrity. His music speaks to his determination in challenging authority and demanding that the popular goals are manifested in official goals. It is an extraordinary legacy that will be remembered for generations to come. He was a poet Fela's music used sarcasm and humor to bring attention to political and economic issues in Nigeria. He also poked fun at his audience, government officials, and even himself. In these shows, he would refer to himself as “the big dick in the little pond.” These jokes were not taken lightly by the authorities and he suffered repeated arrests, imprisonments and beatings at the hands of the authorities. He was eventually given the name Anikulapo, which translates to “he carries his death in his pouch.” In 1977, Fela recorded a song called “Zombie,” which compared soldiers to zombies who followed orders without question. The military was offended by the song and they raided the Kalakuta Republic, burning it down and beating its inhabitants. During the raid, Fela’s mother was thrown from her second-floor apartment through a window. Fela developed Afrobeat in the years that followed the country's independence. Afrobeat is a music genre that combines jazz with indigenous African rhythm. His songs criticised European cultural imperialism and defended traditional African religions and culture. He also criticised fellow Africans for betraying their country's traditions. He also stressed the importance of freedom and human rights. fela claims was an artist of hip-hop. A trumpeter, saxophonist and composer, and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He grew up with jazz music, rock and roll and traditional African music and chants which influenced his style of music. After an excursion to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement, and her ideas impacted his work profoundly. After his return to Nigeria, Fela began using his music as a political tool. He was critical of the government of his native country, and argued against Western sensibilities that impacted African culture. He also wrote about social inequities and human rights violations and was often detained for his criticism of the military. Fela was also a fervent advocate of marijuana in Africa and is referred to as “igbo”. He often held public discussions at Afrika Shrine, also known as “yabis” where he would lampoon government officials and spread his beliefs on freedom of expression and the beauty of women's bodies. Fela had an harem, which was a group of young women who performed in his shows, and also backing his vocally. He was a dancer Fela was a master at musical fusion. He incorporated elements of beat music, and highlife to create his own distinctive style. He was a renowned African musician and a vocal critic of colonial ruling. Fela refused, despite being interrogated and detained by the Nigerian military junta, as well being a witness to the murder of his mother. He died of complications due to AIDS in 1997. Fela was a well-known political activist who criticized the oppressive Nigerian Government and supported the ideals of Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both the government and colonial forces. He also advocated black power and criticized Christianity, Islam and other non-African imports for dividing the people of Africa. The title track of a 1978 album, Shuffering and Shmiling, describes the over-crammed public busses filled with poor workers “shuffering and shmiling.” Fela was a fierce opponent of religious hypocrisy. The music of Fela was in turn complemented by his dancers, who were lively sensual, regal, and sensual. Their contributions to the performance were as significant as the words of Fela. He was an activist in the political arena. Fela Kuti was an activist who used music to challenge unjust authority. He made use of his knowledge of American jazz and funk towards African patterns and rhythms, resulting in music that is ready for a fight. The majority of his songs start with slow-burning instrumentals. He layers little notes, riffs and other elements until they explode with a sense of urgency. In contrast to many artists who were hesitant to publicly discuss their political views, Fela was fearless and unbending. He stood for his beliefs even when it was risky to do so. Funmilayo Ransome Kuti was a feminist who was the leader of the Nigerian Women's Movement. His father was a protestant minister and the president of the teachers' union. He also created Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government raided Kalakuta Republic, destroying property and severely injured Fela. He refused to give up and continued to speak out against the government. He died in 1997 from complications arising from AIDS. His son Femi continues to carry his political and musical legacy. He was a father Music is often seen by many as a political act. Musicians use lyrics to call for a change. Some of the most powerful music performances are not accompanied by words. Fela Kuti was one such artist and his music is still ringing out today. He was the founder of Afrobeat music, which combines traditional African rhythms and harmony with jazz and hip-hop and was being influenced by artists like James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist who fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied Marxism and believed that Nigeria should serve its all citizens. Seun, Fela's Son, is carrying the legacy of his father through a group dubbed Egypt 80. The band is touring the world in this year. The band's music combines the sounds and politics of Fela's era with a passionate critique of the same power structures that are still in place in the present. The album, Black Times, will be released in March. Many fans paid their respects at the funeral at Tafawa Balewa square. The crowd was so big that the police had to block the entrance.